Australian Directors' Guild   

News

<< First  < Prev   1   2   3   Next >  Last >> 
  • 13/12/2023 4:31 PM | Anonymous
     

    When it came to shooting Late Night With the Devil, Australian writer-directors Colin and Cameron Cairnes weighed up a number of locations.

    The brothers looked at converted warehouses and spaces around Melbourne but soon set their sights on the Gravity Media Production Centre Melbourne located in Stage 5 at Docklands Studios.

    It may be an obvious choice for a story based around a live TV talk show, but it needed a stroke of timing luck to happen.

    That’s where DSM’s Client Services Manager Rosey Cullinan reached out to Gravity Media’s Account Executive, Media Services & Facilities, Marcus Doherty to accommodate Late Night’s June 2022 shooting schedule along with pre-production, costume and storage.

    Late Night stars David Dastmalchian as talk show host Jack Delroy filming a Halloween special to boost flagging ratings. Things soon grow horribly wrong under a demonic presence.

    The choice of filming location gave the production a head start given the space was equipped with standard television infrastructure such as a shiny floor, lighting rig and audience seating.

    Production Designer Otello Stolfo masterfully completed the retro feel, with a 1970s talk show set that included a brown and orange backdrop and vintage television cameras.

    As Colin Cairnes puts it: “Everyday it felt like walking into a time capsule. It felt like we actually were in TV studio in downtown Manhattan in 1977. It really helped bring the film to life.

    “For cast and crew to have a sense of what it would have been like, to get that extra layer of verisimilitude if I can use that word, was fantastic.

    “It was also the fact that we had all those facilities there for the art department, for hair and make-up, for wardrobe, the star rooms. All those facilities were first class and I know that our cast loved working there. The fact we were all in the same building and we were all a one minute walk from each other, it just made our lives that much easier.”

    The central city location kept everyone happy too, says Cairnes. “You’ve got so much accommodation nearby and the city too, it just makes it so hassle-free to get people to and from the set on time. For cast and crew coming in from overseas that central location also means access to all the wonderful things the city of Melbourne has to offer.”

    Meanwhile the critical and audience reception for Late Night With the Devil goes from strength to strength.

    It was an instant hit on debut at SXSW in Austin, Texas in March with master-of-horror Stephen King tweeting that the film was “absolutely brilliant”.

    It later screened at both the Sydney and Melbourne International Film Festivals and at the world’s biggest horror/fantasy film festival Sitges in Spain where it won the best screenplay award.

    AGC International has recently snapped up international rights for a wider release.

    Production companies: Future Pictures, Spooky Pictures, and Image Nation

    Producers: Mat Govoni, Adam White, John Molloy, Steven Schneider, Roy Lee and Derek Dauchy

    Main cast: David Dastmalchian, Laura Gordon, Ian Bliss, Fayssal Bazzi, Ingrid Torelli, Rhys Auteri, Josh Quong Tart and Georgina Haig.

    Colin and Cameron Cairnes received Highly Commended for Best Direction, Feature Film (over $1m) for Late Night With the Devil, which was filmed at Docklands Studios Melbourne. Docklands is a Gold Sponsor of the ADG Awards 2023.

  • 16/05/2023 3:29 PM | Anonymous member (Administrator)

    In 2022, the ADG, ACS and WIFT Australia joined forces to run a webinar in Solidarity with Ukrainian Filmmakers. 

    Here is a recording of the webinar.

    UKRAINE SOLIDARITY WEBINAR.mp4 on Vimeo


    Please watch and follow the many ways you can support Ukrainian filmmakers listed below.

    Vimeo link: https://vimeo.com/786679627

    Password: sunflower

    Ways to support Ukrainian Filmmakers: 

    Hire and work with Ukrainian filmmakers. Many filmmakers are still open for business despite the war.

    Ask Ukrainians to pitch for your projects. 

    Post jobs in the Filmmakers for Ukraine Facebook page. 

    Seek co-production with Ukraine filmmakers and production companies

    Support Ukrainian filmmakers – seek them, follow their work and socials, share them.

    • Ukrainian Female Film Industry
    • Babylon 13 is an independent collective of Ukrainian filmmakers
    • Docu Days UA providing Ukrainian filmmakers with the most necessary filming equipment so they can continue filming and working  
    • Organise residencies for Ukrainian writers so they can work in calm and safe places.
    • Create a special fund for Ukrainian filmmakers who are currently serving in the army so they are supported upon return.

    Watch Ukrainian films  

    Program and support film screenings of Ukrainian films at festivals to ensure that Ukrainian filmmakers voices are not forgotten.

    Donate and share

    Follow the panelists

    • Mitya Shmurak is a Ukrainian director working on commercials, music videos, TV and film. He directed Ed Sheeran and Antytila’s 2Step music video about the war. He is the owner of Manifest Production and Motanka Animation Studios.
    • Nikita Kuzmenko is a Ukrainian cinematographer. He was the DOP on Harry Styles 'As it Was' music video. He works closely with director Tara Muino creating music videos for some of the world’s top artists.
    • Elizaweta Mowshyna is a Ukrainian producer in peacetime, but is now co-owner of PORYAD a charity project in the Ukraine. 
    • Kyryl Staselovych is a Ukrainian director and editor of advertising and travel shows. Before the war he edited the popular reality show “Heads and Tails”. He is now working on a documentary about the war. 
    • Alice Ronkovich is a Ukrainian photographer and emerging cinematographer who moved to Melbourne after the first month of the war. 
    • Karina Rezhevska is a Ukrainian sound designer and foley expert currently based in South Australia
    Talk to other people about this webinar – it is recorded and is available to share.


  • 22/12/2022 3:06 PM | Anonymous member (Administrator)

    PARTICIPANTS ANNOUNCED FOR SCREENWORKS’ 2023 CAREER PATHWAYS PROGRAMS

    Career Pathways

    Screenworks has announced the thirteen regional directors, producers and screenwriters from NSW and Queensland that have been selected for Screenworks’ 2023 Career Pathways Programs. As part of the three programs — Inside The Writers RoomDirector Pathways Program and Regional Producer Elevator Program — the selected participants will receive invaluable support and guidance over the next 12 months from some of Australia’s most respected writers, directors and producers.

    Thanks to the support of the multiple production companies, mentors, industry guilds and state funding agencies, the Career Pathways Programs have now become one of our most important annual pinnacle programs,” said Screenworks CEO Ken Crouch. “All participants selected for these programs are talented and demonstrate great potential. Some of the past alumni have made their marks within the national and international industry, and I’m excited to see what the 2023 cohort will achieve in the future.

    Expanded to include regional Queensland for the first time, this year’s Career Pathways Programs are funded by Screen Queensland and Screen NSW with support from Fremantle Media. Inside the Writers Room opportunities are being provided by Goalpost Pictures, Fremantle Media, EQ Media, Tony Ayres Productions and Wooden Horse. The Director Pathways Program is supported by the Australian Directors’ Guild, with Screen Producers Australia supporting the Regional Producer Elevator Program.

    Jahvis Loveday and Ela Furdas from the Northern Rivers region will be joined by Townsville-based Robert Crispe and Ashleigh Lawrence from Cairns as the four regional producers selected for Screenworks’ Regional Producer Elevator Program. They will each receive $3,500 to support their professional development, as well as attendance at the Screenworks Regional to Global Screen Forum in March 2023 and the 37th Screen Forever to be held on the Gold Coast in May 2023.

    For Screenworks’ Director Pathways Program, Bellingen-based Matty Hannon and Newcastle-based Claire Pasvolsky have been selected from regional NSW, as well as Angela Heathcote from Cairns and Aaron Lendon from Coes Creek in regional Queensland. Each selected participant will receive $3,500 to implement their unique career development programs and be supported by the Australian Directors’ Guild with guidance, advice and industry introductions.

    Five regional NSW and Queensland screenwriters have been selected for Inside The Writers Room, with Kimberley Wells from Central Coast selected for EQ Media, Shane Salvador from Tamworth selected for Fremantle Media, Emma Myers from Pokolbin in the Hunter Valley selected for Goalpost Pictures, Ben Southwell from Townsville selected for Wooden Horse and Shideh Faramand from Toowoomba selected for Tony Ayres Productions. Each selected participant will observe a professional writing team working on a television drama production.

    The selection panels for the three Career Pathways Programs were made up of representatives from program partners, industry bodies, guilds, and independent assessors.

    For more information contact Louise Hodgson, Industry Development Manager

    02 6681 1188     louise@screenworks .com.au

    Read the full press release and participant bios here

  • 06/09/2022 11:53 AM | Anonymous member (Administrator)

    NATIONAL CULTURAL POLICY - ADG SUBMISSION


    Our government is developing a National Cultural Policy for the decade ahead. To expedite this process, it used the Creative Australia policy developed by the Julia Gillard government in 2013 as its foundation.

    The consultation process required respondents to reflect on 5 pillars or goals from the 2013 Creative Australia policy distilled as follows:

    • First Nations
    • A Place for Every Story
    • The Centrality of the Artist
    • Strong Institutions
    • Reaching the Audience

    Our joint submission with ASDACS included calls for;

    • Greater funding and support for First Nations and Torres Straight Island screen stories and practitioners as well as more robust practices for Cultural Safety and protection of First Nation’s IP.
    • Removal of cultural barriers and improved support to enable practitioners from marginalised communities to create and prosper in fulfilling screen industry careers including more diverse leadership within our screen institutions and public broadcasters.
    • Better recognition of the creative contributions of screen directors including recognition that the principal director of a screen work is an author and has an unassignable right to remuneration as is the case in many European territories.
    • Improved conditions for screen directors to ensure that they operate within a sustainable employment framework that enables them to create and prosper over their entire careers within the sector.
    • Enhanced government broadcast regulation to ensure more Australian stories reach Australian audiences; including improved funding of our Public Broadcasters, restoring Australian content quotas for commercial FTA networks, new content quotas for Streamers and increased local content on Subscription TV.

    You can download and read our full submission here.


  • 11/08/2022 10:36 AM | Anonymous member (Administrator)

    Make it Australian campaign launches new TVC

    Today sees of the launch of another poignant Make It Australian campaign TVC, 'Serenity', inspired by the classic 1997 Australian comedy The Castle. 

    'Serenity' is the second of four specially made TVCs we had commissioned to support our campaign for more Australian stories on Australian screens, with others to be released in the coming months.  

    Please like and share the TVC via the link below and show your support for the campaign using #MakeItAustralian

    To find out more and join the campaign head here: Home — Make It Australian 

    Link to Serenity TVC: https://vimeo.com/736374820 



  • 12/07/2022 2:02 PM | Anonymous member (Administrator)

    The Australian Director’s Guild (ADG) will hold a one-day conference in Sydney next month for directors and industry members.


    Carrying the theme of Cutting Through The Noise, Director’s Cut will feature panels exploring the director’s role in a changed streaming landscape and how emerging directors can bridge the gap to paid work.

    Delegates will also hear from internationally successful directors about opportunities outside Australia and have the opportunity to discuss the value of impact strategies for both unscripted and scripted productions, while also getting updates on their rights and representation.

    Read the full Inside Film article here

  • 07/06/2022 10:26 AM | Anonymous

    MONTHLY WRAP - JUNE 2022

    With a small break, we are back for another Monthly Wrap!!! This month we dive into the ocean with Barons (dir. Shawn Seet & Fadia Abboud), grab a ride with Dykes on Bikes (dir. Kate Cornish, Steph Jowett & Tilly Robba) and prioritise our mental health with Holding Out for Help (dir. Lucy Knox). 


    DYKES ON BIKES

    Directed by Kate Cornish, Steph Jowett & Tilly Robba

    Documentary Short

    Dykes on Bikes is a motorcycle club with chapters all over the world. These days in Sydney it's about having a good time with friends and giving back to the community, but things weren't so recreational in the beginning. Dykes On Bikes emerged in response to gay hate crimes in the 1980s. They use to meet on weekend evenings and patrol the streets of Sydney and break up homophobic attacks that were happening. 

    From protectors of the streets to an Australian Mardi Gra Icon, we dive into present-day member’s accounts of their history, why they ride today and continuing on the legacy for future generations. A hybrid of a documentary and visual poem, this is a love letter to the Dykes on Bikes.

    Watch on Youtube here

    Check out Kate's work here and Studio Antic (Steph Jowett & Tilly Robba) here


    BARONS

    Directed by Shawn Seet & Fadia Abboud

    TV Series

    Seduced by the power of nature. Corrupted by the nature of power. As a group of surfers chase their sun-soaked dreams, they discover that even in paradise there is rivalry, greed and ambition. Set at a time of sexual liberation, protest, war and social change, Barons captures a unique moment of upheaval and opportunity as a new surfing counterculture and the spirit of enterprise collide. Two best friends, inspired by their love for the Australian beach, create what will become iconic rival surf brands. Little do they know that their success will tear them, and their world, apart.

    Watch on ABC iView here.

    Check out Shawn's work and Fadia's work.

    AUSTRALIANS FOR MENTAL HEALTH: HOLDING OUT FOR HELP

    Directed by Lucy Knox

    Advertisement

    In collaboration with grassroots advocacy organisation Australians for Mental Health (AfMH), the campaign, ‘Holding out for Help’, uses hold music to shine a light on the long wait times Australians face when waiting for mental health treatment.

    Help millions of Aussies end mental health wait times, by signing the petition at: holdingoutfothelp.com.au. 

    Watch on here.

    Check out Lucy's work here.

  • 03/05/2022 1:24 PM | Anonymous member (Administrator)


    Members of the Australian Screen Industry Group Submission to the Streaming Services Reporting and Investment Scheme Discussion Paper

    The Government is seeking views on its proposed Streaming Services Reporting and Investment Scheme which it released in February. The release of its discussion paper followed ‘extensive consultation’ with industry stakeholders through its Media Reform Green Paper.

    The ADG along with 13 other preeminent screen industry guilds and associations, representing the interests of thousands of Australian screen industry practitioners in front of and behind the camera, hold significant concerns with the Scheme’s design:

    • We are concerned that the Governments proposal includes an alarming degree of Ministerial discretion which brings with it untenable risk of inadequate and inconsistent regulatory action.
    • We oppose the Scheme’s proposed 5% threshold which will not deliver on well-established cultural public policy objectives. ASIG members remain united in their call for a swift introduction of a 20% Australian commissioned content expenditure requirement on global technology streaming businesses in line with other forward- thinking international jurisdictions.
    • The scheme does not include specific protections for critical genres of drama, documentary, First Nations, and children’s content. We believe this to be a substantial oversight which, in consideration of the Government’s deregulation of Australia’s Commercial Free-To-Air Networks last year, now urgently needs to be addressed
    • We oppose the proposed halving of the subscription television Australian drama obligation. The proposed cut will substantially harm subscription television audiences, who will lose access to high quality Australian narrative content. The proposal is without reasonable policy justification. 
    • We believe that the scheme proposed in this Discussion Paper is weak, lengthy and one that creates an uncertain pathway to regulation. The policy conversation regarding these issues has been in train for a decade, the need for meaningful regulatory action has been clear for many years. We are concerned that further delay in regulation at this late stage is damaging to the industry, exacerbated by the weakness of the scheme proposed.

    ASIG Members joined forces in a government submission filed today which addresses these commonly-held concerns. You’ll find the ASIG submission here.


  • 13/04/2022 12:00 PM | Anonymous member (Administrator)

    MONTHLY WRAP - MARCH 2022

    Welcome to our March edition of our Monthly Wrap. A showcases some of our favourite features, docos, shorts, music videos, tv series & more created by our members. 

    This month we have some very important stories that we urge you to check out: 

    • First Day - directed by Julie Kalceff
    • 'Only One' by Ashli - directed by Chloe De Brito 
    • All Good Things - directed by Simon Croker
    • More Than This - directed by Kate Gorman & John Sheedy


    FIRST DAY

    Directed by Julie Kalceff

    Children's TV Show 

    In her second year at Hillview High, Hannah's run for Class Captain exposes an underlying level of transphobia among her classmates. She starts a group for LGBTQIA+ students but risks alienating her closest friends in the process.

    Watch on ABC iView here.

    Check out more of Julie's work here


    'ONLY ONE' BY ASHLI

    Directed by Chloe De Brito

    Music Video

    A cosy night out to the local chicken shop is turned upside down when Ashli locks eyes with her ex. Ashli escapes to the comfort of her Uber where she drifts in and out of a daze, reminiscing on what was and what could be. Shot on Darug country in Western Sydney at the locally iconic Chicken Man.

    Watch on Youtube here

    Check out more of Chloe's work here


    ALL GOOD THINGS

    Directed by Simon Croker

    Short Film

    Road trips usually signify a beginning, but for Isaac and his partner Levi this is their last chance to spend time together before they part ways. As they drive towards to their destination, Isaac finds that maybe he isn’t as prepared for this breakup as he’d first thought.

    Watch on ABC iView here

    Check out more of Simon work here.


    MORE THAN THIS

    Directed by Kate Gorman & John Sheedy

    TV Series

    A slice of life teen drama that explores the overwhelming, messy, difficult and beautiful issues surrounding teenagers' lives, as characters explore relationships, sexuality, grades, online social life, family pressures and taking risks.

    Watch on Paramount Plus here


    MONTHLY WRAP - FEB 2022

    Welcome to our February edition of our Monthly Wrap. A showcases some of our favourite features, docos, shorts, music videos, tv series & more created by our members. 

    This month we have a collection of work that aims to challenge, excite and capture you! 

    • Araatika! Rise Up! - directed by Larissa Behrendt
    • Troppo - directed by Yolanda Ramke
    • Feels like a Different Thing by Confidence Man - directed by W.A.M. Bleakley

    ARAATIKA! RISE UP!

    Directed by Larissa Behrendt

    Feature Documentary

    Former National Rugby League (NRL) star Dean Widders is a man on a mission. After fellow Indigenous players Preston Campbell, Timana Tahu and George Rose devised their own pre-game performance to match the haka of their Maori counterparts, Widders began a journey to bring this dance – and First Nations pride more broadly – to the game.

    Watch on SBS On Demand here.



    TROPPO

    Directed by Yolanda Ramke

    TV Series

    An eccentric private investigator with a criminal past recruits a disgraced ex-cop to help solve the disappearance of a Korean tech pioneer in the wilds of Far North Queensland. 

    Watch on ABC iView here.

    Check out more of Yolanda's work here


    'FEELS LIKE A DIFFERENT THING' by Confidence Man

    Directed by W.A.M. Bleakley

    Music Video

    Shot in Coober Pedy on 16mm film, this music clip features stunning red earth locations, high octane hoolagism and things blowing up. 

    Watch on Youtube here

    Check out more of W.A.M's work here


    MONTHLY WRAP - JAN 2022

    Welcome to the 'Monthly Wrap', where the ADG showcases some of our favourite features, docos, shorts, music videos, tv series, online content etc. created by our members. 

    We’re so excited to share with you our first Monthly Wrap featuring four nuanced, thoughtful and intricate works... 

    • Love Me - directed by Emma Freeman
    • St Augustine - directed by Thomas Wilson-White
    • The PM’s Daughter - directed by Julietta Boscolo, Erin White & Alana Hicks
    • Safety by Kat Edwards - directed by Gabriel Morrison

    LOVE ME

    Directed by Emma Freeman


    TV Mini Series
    LOVE ME is a story about love, loss and the complexity of family relationships experienced by three different family members at distinct times of life.


    Watch on Binge here: Love Me


    ST. AUGUSTINE

    Directed by Thomas Wilson-White

    Short Film

    While staying by the sea, a young man becomes aware of a third person in his floundering relationship.

    Watch on Film Shortage here: St Augustine - Drama, Suspense // Featured Short Film (filmshortage.com)

    THE PM’S DAUGHTER

    Directed by Julietta Boscolo, Erin White & Alana Hicks

    Political Drama for Kids

    Cat is like any other teenager, with one difference: her mother is the new Prime Minister of Australia. Along with her new friends, Cat navigates life in the spotlight, while tracking down a hidden threat to her mum.

    Watch on ABC iView here: https://iview.abc.net.au/show/pm-s-daughter


    SAFETY by Kat Edwards

    Directed by Gabriel Morrison

    Music Video

    A surreal narrative following a young woman trying to navigate the end of a long term relationship, shot in the remote southwest hydro dams in Tasmania.

    Watch on Youtube here:Kat Edwards - Safety (Official Music Video) - YouTube


    HAVE YOU WATCHED SOME GREAT AUSSIE CONTENT RECENTLY?  

    We’re always on the lookout for great new Australian content to feature on next month’s wrap! Remember we are looking for recent work that is available to watch now! Whether it's a hit new show you're loving or a tiktok series, the Monthly Wrap is here to introduce and celebrate Australian work! 

    SUBMIT TO ADG MONTHLY WRAP HERE.

  • 16/02/2022 5:30 PM | Anonymous member (Administrator)

    Partner News

    February 2022

    Media Super and Cbus are preparing to merge 

    Media Super is planning to merge with Cbus, the industry super fund for those who build Australia. 


    Media Super Limited (the trustee for Media Super) and United Super Pty Ltd (the trustee for Cbus) have signed a merger agreement, which is an important milestone in the merger journey. While there are still some approval processes that need to happen, both funds are working towards completing the merger process before the second quarter of 2022.

    Media Super’s planned merger with Cbus is driven by our objective to improve outcomes for our members. The focus remains on supporting members in the print, media, entertainment and arts industries, as we have for more than 30 years. 

    After the merger, the Media Super brand and industry focus will continue, and members will be part of a much larger and growing combined fund.

    We’ve found the right partner to continue our proud legacy 

    Media Super is proud of our heritage and industry focus, and we have been performing well for our members, with strong long-term returns and competitive fees. Our sole objective is to provide strong outcomes for our members in retirement. However, we’ve realised that the increasing complexities of superannuation and rising costs mean the best outcome for our members is to find a merger partner.

    We are always looking after our members’ best financial interests, and that is why we have found a like-minded merger partner in Cbus. The super fund for those who build Australia, Cbus has more than $65 billion in funds under management and 775,000 members (as at 30 June 2021).

    Cbus has a history of low fees, strong investment performance and excellent service.

    We share the same mission 

    Media Super and Cbus share the same mission: better retirement outcomes for members. Being industry super funds, both Media Super and Cbus have a similar culture and shared values. 

    Increased scale and growth also benefit members by providing access to more investment opportunities, greater scope to manage fees effectively and access to products and services, including for those approaching or currently in retirement.

    What happens next? 

    The merged fund will have more than $70 billion in assets and manage the retirement savings of around 850,000 hardworking members. 

    Media Super members and employers will still benefit from products and services tailored to their industries while also gaining access to the benefits of size and scale that come with belonging to a larger fund. 

    Those benefits include access to more investment opportunities, greater scope to manage fees effectively and access to innovative products and services, including for those approaching or in retirement.

    Media Super and Cbus are now focused on transition planning to integrate investment, administration, and operations. This is a comprehensive process, with both funds ensuring the plan will deliver a result that’s in the best financial interest of members. 

    Our focus is squarely on delivering strong long-term investment returns and retirement outcomes for Media Super and Cbus members.

    Download the PDF of this press-release here

    If you have any questions, please call our Helpline on 1800 640 886 or get in touch with your Business Development Manager.

    This communication provides general information only, and does not take into consideration your personal objectives, situation or needs. Before making any financial decisions you should first determine whether the information is appropriate for you by reading the Product Disclosure Statement and/or by consulting a qualified financial adviser. The Target Market Determination is at mediasuper.com.au/TMD. Investment returns are not guaranteed, and past performance gives no indication of future performance. Issued by Media Super Limited (ABN 30 059 502 948, AFSL 230254) as Trustee of Media Super (ABN 42 574 421 650).


<< First  < Prev   1   2   3   Next >  Last >>